Dublin

Bridges over the River Liffey in Dublin – a photographic journey in time.

2018-04-01 By Aidan O'Rourke

DUBLIN LIFFEY BRIDGES GERMAN VERSION

Hello, my name’s Aidan O’Rourke and in this video we’re going to look at the bridges over the River Liffey in Dublin

1. The West Link bridge – Droichead an Nascbhóthair Thiar carries the M50 motorway over the River Liffey. It’s 42 metres or 130 feet above the river and was completed in 1990. It’s actually a pair of bridges. The second was added in 2003.

2. The Farmleigh Bridge – Droichead Farmleigh built in the 1870s once carried water and electricity across the river.

3. The Anna Livia bridge – Droichead Abhainn na Life is in Chapelizod in the west of Dublin. It’s mentioned in the book ‘Dubliners’ by James Joyce. It was opened in 1753 and widened with walkways in 2011. Anna Livia – Abhann na Life is the personification of the River Liffey.

4. Island Bridge – Droichead na hInse also called Sarah’s Bridge is near the Phoenix Park. The present bridge was built in 1791 and named after Sarah Fane, Countess of Westmorland, wife of the Lord Lieutenant of Ireland. It was renamed Island Bridge in 1922.

5. Seán Heuston Bridge was originally called Kings Bridge and opened in 1828. The nearby station was also named Kingsbridge. In 1941 both were renamed in memory of Sean Heuston, who took part in the Easter Uprising of 1916. My father always referred to the bridge and the station as ‘Kingsbridge’. Today it carries trams over the River Liffey. Dublin’s light rail system is called ‘Luas’, the word in Irish for speed.

6. Frank Sherwin Bridge – Droichead Phroinsias Uí Shearbháin – is next to Heuston Bridge and was built in 1982. It’s named after the Dublin politician Frank Sherwin

The Anna Livia sculpture is in a small park near the river. It used to be located on O’Connell Street. It was designed by Eamonn O’Doherty

7. Rory O’More Bridge – Droichead Ruaraí Uí Mhóra is located near the Guinness Brewery. The present cast iron bridge was opened 1859. It was made in St Helens near Liverpool. Rory O’More was an organiser of the Irish Rebellion of 1641

8. James Joyce Bridge – Droichead James Joyce was completed in 2003 and designed by Santiago Calatrava. James Joyce’s short story ‘The Dead’ is set in a house overlooking the bridge. With its modern design it contrasts strongly with the surrounding buildings.

9. Mellows Bridge – Droichead Uí Mhaoilíosa, opened in 1768 is the oldest bridge in Dublin. It’s named after Liam Mellows, who took part in the Easter Uprising of 1916. He was born in England and spent part of his childhood in Ashton-under-Lyne, near Manchester.

10. Father Mathew Bridge – Droichead an Athar Maitiú was built in 1816 and is on the site of the oldest bridge in Dublin, Dublin Bridge, dating from 1014. In 1938 it was named after Father Mathew Catholic priest and teetotalist reformer.

11. O’Donovan Rossa Bridge – Droichead Uí Dhonnabháin Rosa is next to the Civic Offices of Dublin City Council. It was built in 1816. Its former name was Richmond Bridge and was renamed in 1923 after the Fenian leader O’ Donovan Rossa.

12. Grattan Bridge – Droichead Grattan is also known as Essex Bridge and Capel Street Bridge. It’s named after the politician Henry Grattan and is known for its ornate lamps. In the mid-1700s, the centre of Dublin was here and this was the last bridge before the sea. East of here there were no more bridges. The river was full of sailing ships moored along the quays. Later the centre shifted towards the east.

13. The Millennium Bridge – Droichead na Mílaoise is a pedestrian bridge. It was designed by Howley Harrington Architects and constructed in the town of Carlow. It was opened in 1999.

14. The Ha’penny Bridge – Droichead na Life, originally Wellington Bridge, is an icon of Dublin and one of the most photographed bridges in Europe. It was built in 1816 there was a toll of one half a penny to cross the bridge and so it became known as the Ha’penny Bridge. In later years it was increased and I remember my mother saying it was also called the Penny Ha’penny Bridge. It was renovated in 2001 and new lighting was installed. I think it’s too bright. It ought to appear as it did in 1816. It’s estimated that around 30,000 people cross the Ha’penny Bridge every day and I’ve crossed it many times too.

15. O’Connell Bridge – Droichead Uí Chonaill originally Carlisle Bridge, was built 1794. It was widened and rebuilt in 1882 and renamed O’Connell Bridge after the politician Daniel O’Connell. It’s said the bridge is an exact square but that’s not true. It spans 45 metres or 148 feet across the river and is 50 metres wide or 164 feet wide. The sculpted head represents Anna Livia looking westwards.

16. Rosie Hackett Bridge – Droichead Róise Haicéad was opened on 20 May 2014 and carries trams, buses, taxis, bikes and pedestrians caross the river. Rosie Hackett was a trade union leader.

17. Butt Bridge, in Irish Droichead na Comhdhála or Congress Bridge was built in 1932 It replaced a swivel bridge opened in 1879 and was named after Isaac Butt, lawyer and politician

18. The Loop Line Bridge – Droichead Iarnród na Lúblíne is a railway bridge built in 1891 to link lines to the north and south of the river. From trains crossing the bridge, there are great views of the river but the Loop Line Bridge is controversial because it blocks views of the Custom House.

19. The Talbot Memorial Bridge – Droichead Cuimhneacháin Talbóid was built in 1978 and named after Matt Talbot, who is still revered for his religious devotion and abstinence from alcohol.

20. Sean O’Casey Bridge – Droichead Sheáin Uí Chathasaigh is a pedestrian bridge and opened in 2005. It was designed by architect Cyril O’Neill and named after the famous Irish writer.

21. Samuel Beckett Bridge – Droichead Samuel Beckett was opened in December 2009. It has a striking design – similar to a harp and has become an icon of Dublin and of the entire Irish nation. Samuel Beckett was a famous writer who wrote both in English and French. It’s a swing bridge designed by Santiago Calatrava and built in Rotterdam. The bridge was brought on a raft to Dublin and floated into place.

22. The East Link Bridge, renamed Thomas Clarke Bridge, Droichead Thomáis Uí Chléirigh was opened in 1983. Thomas Clarke was an Irish Republican leader. It’s a toll bridge and is crossed by 14,000 to 17,000 vehicles every day.

The river, the bridges and the quays of Dublin give the city its unique character and are ideal to photograph at any time of the day or night.

Thank you for watching. My name’s Aidan O’Rourke. See you again soon in Dublin.

Die Brücken des Flusses Liffey in Dublin – eine fotografische Zeitreise

2018-04-01 By Aidan O'Rourke

BRÜCKEN DES FLUSSES LIFFEY ENGLISCHE VERSION

1. Die West Link Brücke – Droichead an Nascbhóthair Thiar – führt die Autobahn M50 über den Fluss Liffey. Sie erhebt sich 42 Meter über dem Fluss und wurde 1990 fertiggestellt. Es gibt hier eigentlich zwei Brücken. Die zweite wurde 2003 hinzugefügt.

2. Farmleigh Bridge – Die in den 1870er Jahren gebaute Brücke transportierte einst Wasser und Elektrizität über den Fluss.

3. Die Anna Livia Brücke – Droichead Abhainn na Life – befindet sich in Chapelizod im Westen von Dublin. Sie wurde im Buch “Dubliners” von James Joyce erwähnt. Die Brücke entstand 1753 und wurde 1982 um Gehwegen erweitert. Anna Livia – Abhann na Life ist die Personifizierung des Flusses Liffey.

4. Island Bridge – Droichead na hInse auch Sarahs Bridge genannt ist in der Nähe des Phoenix Park. Die heutige Brücke wurde 1791 erbaut und nach Sarah Fane, Gräfin von Westmoreland, Ehefrau des Lord Lieutenant of Ireland benannt. Sie wurde 1922 in Island Bridge umbenannt.

Sarah Fane 1764-1793

5. Sean-Heuston-Brücke hieß ursprünglich Kings Bridge und wurde 1828 eröffnet. Der nahe gelegene Bahnhof wurde auch Kingsbridge genannt. 1941 wurden beide in Erinnerung an Sean Heuston umbenannt, der 1916 am Osteraufstand teilnahm. Mein Vater nannte die Brücke und den Bahnhof immer “Kingsbridge”. Heute führt sie Straßenbahnen über den Fluss Liffey. Das Dubliner Light-Rail-System heißt “Luas”. “Luas” ist das Wort in der irischen Sprache für “Geschwindigkeit”.

Sean Heuston 1891-1916

6. Frank Sherwin Brücke – Droichead Phroinsias Uí Shearbhain – liegt neben Heuston Bridge und wurde 1982 gebaut. Sie ist nach dem Dubliner Politiker Frank Sherwin benannt.

Frank Sherwin 1905-1981

Die Anna-Livia-Skulptur findet man jetzt in einem kleinen Park in der Nähe des Flusses. Anna Livia befand sich früher in der O’Connell Street. Sie wurde von Eamonn O’Doherty entworfen

7. Rory O’More Brücke – Droichead Ruaraí Uí Mhóra befindet sich in der Nähe der Guinness-Brauerei. Diese gusseiserne Brücke wurde 1859 eröffnet. Sie wurde in St. Helens bei Liverpool hergestellt. Rory O’More war ein Organisator der irischen Rebellion von 1641

Rory O’More 1600-1655

8. James Joyce Brücke – Droichead James Joyce – wurde 2003 fertiggestellt und von Santiago Calatrava entworfen. James Joyces Kurzgeschichte “The Dead” spielt in einem Haus mit Blick auf die Brücke. Mit ihrem modernen Design kontrastiert sie stark mit den umgebenden Gebäuden.

James Joyce 1882 – 1941

9. Mellows Bridge – Droichead Uí Mhaoilíosa – wurde im Jahr 1768 eröffnet. Sie ist die älteste Brücke in Dublin. Liam Mellows nahm am Osteraufstand von 1916 teil. Er wurde in England geboren und verbrachte einen Teil seiner Kindheit in Ashton-under-Lyne bei Manchester.

Liam Mellows 1892-1922

10. Die Father-Mathew-Bridge – Droichead an Athar Maitiú – wurde 1816 erbaut und befindet sich an der Stelle der ältesten Brücke Dublins, der Dubliner Brücke aus dem Jahr 1014. Im Jahr 1938 wurde sie nach Father Mathew, dem katholischen Priester und Abstinenz-Reformer, benannt.

Vater Theobald Mathew 1790-1856

11. O’Donovan-Rossa-Brücke – Droichead Uí Dhonnabháin Rosa befindet sich neben den Civic Offices des Dublin City Council und wurde 1816 gebaut. Ihr früherer Name war Richmond Bridge und sie wurde im Jahr 1923 nach dem irischen Agitator O’Donovan Rossa umbenannt.

12. Die Grattan-Brücke – Droichead Grattan ist auch als Essex Bridge und Capel Street Bridge bekannt. Die Brücke, die wir heute sehen, wurde 1872 gebaut. Sie wurde nach dem Politiker Henry Grattan benannt. Sie ist für ihre verzierten Lampen bekannt.

In der Mitte des 18. Jahrhunderts lag das Zentrum von Dublin an dieser Stelle. Östlich von hier gab es keine Brücken mehr. Der Fluss war voll mit Segelschiffen. Später verlagerte ich das Zentrum nach Westen.

Henry Grattan 1746-1820

13. Die Millennium Bridge – Droichead na Mílaoise ist eine Fußgängerbrücke. Sie wurde von Howley Harrington Architects entworfen, in der Stadt Carlow gebaut und 1999 eröffnet.

14. Die Ha’penny Bridge – Droichead na Life, ursprünglich Wellington Bridge, ist eine Ikone von Dublin und eine der meistfotografierten Brücken Europas. Sie wurde 1816 gebaut. Es kostete damals eine halbe Penny, die Brücke zu überqueren und so wurde sie als die Ha’penny Bridge bekannt. In späteren Jahren wurde der Preis erhöht. Ich erinnere mich daran, wie meine Mutter sagte, die Brücke hieß auch Penny Ha’penny Bridge.

Im Jahre 2001 wurde die Ha’penny Bridge saniert und neue Beleuchtung wurde installiert. Ich finde sie zu hell. Meiner Meinung nach sollte sie so aussehen, wie im Jahr 1816. Täglich überqueren schätzungsweise 30.000 Menschen die Ha’penny Bridge und ich habe sie auch sehr oft überquert.

Arthur Wellesley, 1. Herzog von Wellington, 1769-1852

15. O’Connell Bridge – Droichead U Chonaill ursprünglich Carlisle Bridge, erbaut 1794, wurde im Jahr 1882 umgebaut und erhielt den Namen O’Connell Bridge um des berühmten irischen Politikers Daniel O’Connell zu gedenken. Viele Leute meinen, die Brücke sei ein exaktes Quadrat, aber das stimmt nicht. Sie spannt sich auf knapp 45 Meter über den Fluß und ist 50 Meter breit. Der gemeißelte Kopf von Anna Livia schaut den Fluss entlang in Richtung Westen.

16. Rosie Hackett Bridge – Droichead Róise Haicéad wurde am 20. Mai 2014 eröffnet.

Rosie Hackett war Gewerkschaftsführerin.

Rosanna “Rosie” Hackett 1892 -1976

17. Butt Bridge
Butt Bridge heißt im irischschen Droichead na Comhdhála oder Congress Bridge. Sie wurde 1932 erbaut und ersetzte eine Drehbrücke, die 1879 eröffnet wurde. Isaac Butt war Rechtsanwalt und Politiker.

Isaac Butt 1813 – 1879

18. Die Loopline-Brücke – Droichead Iarnród na Lúblíne ist eine Eisenbahnbrücke, die 1891 gebaut wurde, um Eisenbahnlinien nördlich und südlich des Flusses zu verbinden. Vom Zug aus genießt man eine großartige Aussicht auf den Fluss, aber die Loop Line Bridge war schon immer umstritten, weil sie den Blick auf das Custom House versperrt.

19. Die Talbot-Gedächtnisbrücke – Droichead Cuimhneacháin Talbóid wurde 1978 erbaut und nach Matt Talbot benannt. Für seine religiöse Hingabe und Abstinenz von Alkohol wird Matt Talbot immer noch verehrt.

Der Ehrwürdige Matt Talbot 1856-1925

20. Sean O’Casey Brücke – Droichead Sheáin U Chathasaigh ist eine Fußgängerbrücke und öffnete 2005. Sie wurde vom Architektenbüro Cyril O’Neill entworfen und nach dem berühmten irischen Schriftsteller Seán O’Casey benannt.

Sean O’Casey 1880-1964

21. Samuel Beckett Bridge – Droichead Samuel Beckett – ist eine Drehbrücke, die vom Büro Santiago Calatrava entworfen wurde. Mit ihrem markanten Design, die an eine Harfe erinnert, ist sie schnell zu einer Ikone von Dublin und der gesamten irischen Nation geworden. Die Brücke wurde in Rotterdam gebaut, auf einem Ponton nach Dublin gebracht und eingeschwommen. Sie öffnete am 10. Dezember 2009.

Samuel Beckett 1906-1989

22. Die East Link Bridge, umbenannt in Thomas Clarke Bridge – Droichead Thomáis Uí Chléirigh – wurde 1983 eröffnet. Thomas Clarke war ein irischer Revolutionär und einer der Hauptorganisatoren des Osteraufstandes von 1916. Sie ist eine Mautbrücke, die täglich von 14.000 bis 17.000 Fahrzeugen benutzt wird.

Thomas Clarke 1858-1916

Der Fluss, die Brücken und Quays von Dublin geben der Stadt ihren einzigartigen Charakter. Ob Tag oder Nacht sind sie ideal zum fotografieren.

Danke fürs Zuschauen, mein Name ist Aidan O’Rourke und auf Wiedersehen in Dublin.

The Dublin suburb of Rathmines photos and impressions

2016-01-23 By Aidan O'Rourke

Houses on Palmerston Road Dublin with ornate street lamp

I’ve always been fascinated by the Dublin suburb of Rathmines. To English ears it’s a strange-sounding name. There are no coal mines in Rathmines, the name just means ‘Ring fort of Maonas’. To anyone who knows Dublin, the name in the past might have conjured up various images: ‘bedsit’, ‘dormitory’, ‘sleepy’, ‘students’ and ‘old-fashioned’. But today the words we might think of are ‘property’, ‘upmarket’, gentrified, ‘cosmopolitan’, ‘residential’.

I lived at Trinity Hall just to the south of Rathmines for two years as an undergraduate. I regularly took the 14 (now 140) bus along Rathmines Road and Palmerston Road. The area left a deep impression on me.

Rathmines is located in south Dublin, around two miles (3km) from the city centre. To get there it takes around 15 minutes on the bus from O’Connell Street or you can take the Luas tram to Ranelagh. Like many parts of Dublin it has a strong feeling of the past. Everywhere there are houses from the 18th and 19th century. There are relatively few modern buildings. It seems like a vast conservation area. There are some listed buildings.

Rathmines Road at dusk 22 Jan 2016

Rathmines Road in afternoon sun 27 Nov 2004

The former Rathmines Town Hall was completed in 1898. In 1930, the township was incorporated into Dublin City. The town hall dominates Rathmines Road with its clock tower that seems too large in proportion to the rest of the building. Today it’s occupied by Rathmines College and on my January 2016 visit the clock was not working! Other landmarks include the imposing Church of Mary Immaculate, Refuge of Sinners with its large and distinctive dome. Like many Catholic churches it was in the past symbolic of the dominance of the Roman Catholic church. Now it seems to symbolise the opposite.

Church of Mary Immaculate, Refuge of Sinners, Rathmines 27 Nov 2004

Rathmines Road is a busy street, long and quite narrow, with a variety of shops and supermarkets including Aldi and Lidl. The well-loved ‘Stella’ cinema is still there but it’s empty and has a ‘to let’ sign. In the centre of Rathmines, Rathgar Road leads off to the right and Rathmines Road Upper continues to the left. The post office is still there, and there’s a Tesco supermarket opposite. Tesco wasn’t in Ireland when I was at Trinity. There seemed to be few ‘foreign’ influences then. Nowadays you’ll find many people from other countries – women with headscarves, men with Middle Eastern accents. I stopped at the Carnegie Library, opposite the town hall, to check my e-mail. In the past it might have been full of people from other parts of Ireland. Today it was full of people from other parts of the world.

Rathmines is first and foremost a residential suburb. It has every variety of house from tiny terraced cottages to grand Georgian residences. There are impressive squares, wide roads, residential streets, narrow alleyways and tiny footpaths. Here and there there are modern apartment blocks but they generally seem to blend in with the 19th century edifices.

In the past many of the houses in Rathmines might have seemed fairly average and affordable for anyone with a good salary. Today, parked outside the houses, you’ll find expensive cars and SUVs with the current year on the number plate. Rathmines has become a place of great affluence. Properties are now priced beyond the reach of most people, even those on the best salaries.

Rathmines town hall visible over rooftops

In my opinion the most impressive part of the suburb is Palmerston Road. It’s a wide nineteenth century tree-lined avenue lined on both sides with beautiful Georgian terraced houses set back behind gardens. The ornate street lamps date from the late 19th century. This area looks virtually unchanged for well over a hundred years and this is definitely a selling point.

Although Rathmines grew and developed into its present form during the 19th century ‘British’ period of Irish history, and had a Unionist (pro-British) majority until 1922, to me it seems to have an unmistakable sense of Irishness. I can’t quite explain it. It’s said that Eamon De Valera wanted to have the Georgian terraces around Merrion Square demolished as he regarded them as ‘foreign’. But he was wrong. This uniquely Irish style of architecture and town planning would have emerged no matter what the arrangements for Ireland’s government had been. Ireland became independent but the ‘British’ influence has remained and is part of the country’s unique character.

During the Second World War, Ireland was neutral, and so unlike British cities, Dublin was wasn’t bombed, apart from a few mistaken raids where the Nazi pilots thought they were flying over Belfast. Metal railings were never removed. In Britain most railings were needlessly cut out for the war effort and to this day have never replaced. The result is that Dublin has preserved its past much better than most British cities, and Rathmines is a prime example of this. You’ll see many wonderful, original iron railings in Rathmines!

My favourite place is Palmerston Park, situated next to my former place of residence, Trinity Hall. I often used to go for walks there.

Palmerston Park Dubin, 1981 and 2016

It’s a beautiful Victorian park with lawns, a waterfall and tree-lined footpaths. Looking through the trees, at the houses, if you ignore the modern cars, you could almost imagine yourself back in the era of James Joyce or Oscar Wilde. That’s the great thing about a place with a strong historic character. The past doesn’t go out of date, quite the opposite: a place that has preserved its heritage is future-proof.

880 words

Early U2 Dublin Music Memories

2015-01-09 By Aidan O'Rourke

Bands from the late 70s Dublin music scene

Bands venues from late 70s Dublin music scene

My earliest memory of U2 is from 1978 when they played at a 24 hour music festival at the Project Arts Centre, which had recently opened in what’s now known as the Temple Bar district. The performance wasn’t very polished, but the band had lots of energy.

A new band named U2 had appeared on Dublin’s music scene. I first saw them at the Project Arts Centre duing 1978. They stormed onto a very high stage – I seem to remember staring at lead singer Paul Hewson’s pointed cowboy boots – and delivered a frenetic and bewildering set.

They had something, though I wasn’t quite sure what. The youthful lead singer with his ruddy cheeks, unfashionable medium length hair and tight trousers pranced around the stage yelling into the microphone. The vocals were haphazard – frequently out of tune and croaking in the upper registers. Each of the band members seemed to be pushing the pace of the music.

In the following year, U2 would go on to carve out a respectable following on the Dublin music scene. They often did lunchtime concerts at Trinity College, where I was a modern languages undergruate (1976 – 1981). At that time I’d taken to carrying a portable tape recorder around with me – the precursor of the walkman or boombox – and taped a lunchtime concert they did on the cricket field. I have since lost the tape recorder but I still have the tape. The sound is barely containable, the vocals still croaky in the upper registers, but there was an unmistakable energy there that just needed some channeling.

U2 up through the floorboards

U2 had common origins with the Virgin Prunes. I had also witnessed their concerts, recording the sound with my portable tape recorder, so that I knew their entire set by heart. In some respects I preferred them to U2 as they were very edgy and experimental.

Having seen the Virgin Prunes live several times and familiarised myself with their material, I had strong views about them. One day in the post office near Essex Street, not far from Trinity, I saw their lead singer Gavin Friday in his characteristic pale raincoat and white face powder. I seized the chance to talk to him and after introducing myself, I gave a full and frank appraisal of the music. He seemed to appreciate my interest and nodded attentively.

I was also acquainted with the Virgin Prunes bassist Dik, brother of the Edge. During 1979, Dik lived in the room directly below mine, 28.2.2. Trinity College, overlooking Front Square. I often used to hear the latest U2 and Virgin Prunes demo tapes coming up through the floor.

“Most people think it’s a song about a girl but actually it’s about his mammy”

I chatted to Dik a few times and occasionally went downstairs for a cup of tea and a chat. He also appreciated my interest in the Virgin Prunes. He told me a lot about U2 and Bono, including the fact that the song ‘I will follow’ was about Bono’s mother: “Most people think it’s a song about a girl but actually it’s about his mammy!”.

In bed at night, listening on headphones plugged into my portable tape recorder, I used to listen to Dave Fanning’s show on the fm pirate station Radio Dublin. The reception was hissy, but the music was great. He often played demo tapes by U2 and other bands. That was my third year at Trinity.

My second year at Trinity College – from October 1977 to June 1978 was an exciting and formative time. Punk rock had brought new energ to the Dublin music scene, which was stagnant when I arrived from Manchester in late 1976. Two years later, seemingly everyone seemed to be going to gigs and was in a band, either a real or supposed one.

The late Bill Graham Irish music journalist

An influential contact that time was the Irish music journalist Bill Graham. I often used to bump into him at various gigs, always dressed in a scruffy polo neck sweater, clutching a note pad and a packet of 20 Silk Cut cigarettes. Bill would enthuse about the lowliest and most obscure of Dublin bands as if he was giving a lecture on Jean Paul Sartre or W B Yeats. He had a genuine and passionate interest in music and local musicians. I felt lucky to have him as a friend. He would talk to me, stare at me with those wide, probing eyes set in a wide face, and listen intently to what I had to say about various bands.

Bill Graham is credited as being an early champion of U2. He introduced them to their manager Paul McGuinness and so helped to make rock history. Bill Graham went on to write many influential articles on music and other subjects for the Irish music magazine Hot Press. I was very sad to learn of his untimely death. He gave me confidence and inspiration which remain with me to this day.

Playing as one of ‘The Sinners’

At this time I was experimenting with songwriting and played in a band. We did some Buzzcocks covers, plus a few of my embryonic songwriting attempts. The bass player was Fergus Nolan, a guy who seemed permanently half-asleep, but he was okay, we got on fine. I was on vocals and lead guitar. Two guys from north Dublin were on rhythm guitar and drums. The drummer’s name was Bernard, I can’t remember the guitarist’s name. We rehearsed in a ground floor room opposite the church on Westland Row, hence the name, chosen by Fergus, ‘The Sinners’.

We played a total of about three or four gigs, one of them at the Magnet, Pearse Street – Bill Graham came to see us – another in a rough club in the town of Banbridge north of the border. Our biggest and final gig was supporting the Buzzcocks at a venue I’ve forgotten the name of on Mary Street, off O’Connell Street on the north side of the river.

It was some time in 1979. Just before our final song, Fergus broke a bass string and I had to somehow keep the audience entertained until he returned with a new string, though the bass was badly out of tune. With the last song finished, I jumped back into the audience for the Buzzcocks gig, which was very enjoyable.

Playing with the Sinners was not the most satisfying creative experience, though it was good to spend time with people from outside Trinity. To be honest, as an arts undergraduate, I felt I didn’t have too much in common with them, but they were good guys and I wouldn’t have met them if it wasn’t for the vibrant music scene in Dublin at that time.

We once advertised for a lead singer, as I felt my vocals weren’t good enough. The ad mentioned Bowie as a musical influence, and a Bowie lookalike with crazed eyes – and from the town of Monasterevin – turned up at our meeting place, Bewleys on Grafton Street. We invited him to sing, but he didn’t stay with the band for long.

How I nearly joined ‘The Vipers’

In 1979 an opportunity to join a more successful band came up. One of the bands I regularly used to go and see was the Vipers, founded by Paul Boyle, a very talented songwriter and performer. I knew all their songs by heart, so when I auditioned to be bassist, they offered me the job on the spot.

But I had a dilemma. Should I quit university and go to London to seek fame and fortune with one of the most promising bands on the Dublin music scene, or should I stay at Trinity? I was lucky to have a generous grant from my home town Stockport and I was determined to finish my Modern Languages degree. I decided to stay.

The Vipers took on another bassist and I continued to enjoy their gigs and had no regrets. Then they went to London and I tuned into their session on John Peel’s radio programme. To think that could have been me helping to record it at the BBC studios in London. But then they disappeared and I never heard anything about them again.

Around six months later, in 1979, I bumped into the drummer on Griffith Avenue in north Dublin. The band had gone to London to seek fame and fortune on the music scene there, but things had not gone well. The band eventually split up and the various members returned to Dublin separately.

It seemed making it in the music business was a very dodgy and unpredictable affair. Many bands and artists desperately wanted to make it, yet very few of them ever did. DC Nien, Some Kind of Wonderful, U2, and from Cork, Micro Disney. I enjoyed all of them and got to know their songs very well, but which one of them was going to make it, if any?

One of the places I rehearsed with the Sinners was a room in a run down Georgian terraced house on the south east corner of Parnell Square, north of the river. I was friendly with the guy who ran the rehearsal room – John Breen (thanks to Peter Breen for contacting me in Nov 2007 to remind me of his name).

He was bright and had some very definite ideas about bands he thought were going to make it. He rated a new British band very highly. They were called ‘The Police’ and thought they’d go far. Another band he was keen on was one who also practiced in his rehearsal room.

The name of that band was U2. I said I’d heard a lot of their stuff and thought they were very talented, but, and these are the ‘famous last words’ I tell everyone – I didn’t think the lead singer was good enough for them to be successful. They had some good songs, but I felt he was very shaky in the high notes, and I reckoned that sadly they would find it difficult to get a recording contract. John Breen thought differently, predicting they would be very successful. The rest is history.

In Summer 1979 I left Dublin and the Sinners. They continued without me and achieved some success. There is a reference to the Sinners on the Discogs website. Do a search for ‘Aidan O’Rourke The Sinners band’.

From September 1979 to August 1980 I was in Berlin on my year abroad, and lost all contact with the Dublin music scene. By the time I was back, U2 were well on the way to success. They had secured a recording contract in early 1980. I had their first album ‘Boy’ on tape, in addition to earlier versions of the songs recorded off air from Radio Dublin. It was about this time I used to visit Dik in the room underneath me.

Very early one Sunday morning in around April 1981 I went out on my very first photographic expedition. I had with me an Olympus Trip which my friend Kieran Sheridan had kindly lent me.

I walked down from Trinity into the then undeveloped Docklands area by the River Liffey. In my head was the album ‘Boy’, the track ‘In the Eyes of a Child’ and the glowing, golden sound of the Edge’s guitar became fused with the sunrise over the Dublin docks and reflected on the side of the Liverpool ferry which had just arrived. A new decade was well underway, my university days were nearly over, a new era had dawned.

This is just a brief summary of my early U2 Dublin memories, many of which lie forgotten in my latent memory banks. Here are some of my other Irish music highlights:

Seeing the Clash play in the TCD exam Hall in 1978, where I later did my final examinations
Seeing the Damned play in a venue off Grafton Street the name of which I’ve forgotten.
Seeing the Boomtown Rats play the Trinity Freshers Ball in September 1976.
Recording the Virgin Prunes at a forgotten venue on Stephens Green, and other venues.
Travelling to Dun Laoghaire to see The Jam play at a dance hall venue, also unnamed.
Witnessing Eric Bell, the genius guitarist of early Thin Lizzy – the three piece – play a lunchtime gig at Trinity College during 1976.
Earlier in 1976 I also saw the Thin Lizzy – the four piece – play at the National Stadium on South Circular Road
Earlier in the 70s, my favourite Irish band was Horslips with their haunting and visually evocative album The Táin
On summer holidays, at dances down the country where Irish showbands played, I used to go up and chat with the guitarist.

I’d just like to add my very earliest Irish music memory: Bringing home to Stockport and playing on the old Dansette record player a copy of ‘Folk Songs of Ireland’ by Irish traditional singer, musician and storyteller Seamus Ennis.

Regrets

U2 changed the way the world thought about Irish music. I’m glad that what is now my most vivid musical memory is the one of U2 playing the Project Arts Centre in 1978, and also three years later, taking photographs of the Dublin cityscape to a mental backdrop of U2’s music.

This was a groundbreaking, though not especially happy time for me. I had frustrated creative ambitions, and wasn’t lucky enough to find others who could help me achieve them. Musically I wanted to do something bigger, broader, more all encompassing than traditional rock music.

The fact is that U2 went on to do what I would like to have done. And what if they’d needed a bass player, auditioned me and invited me to join? Would I have turned them down to finish my degree?

I have one regret, and that is that I wasn’t taking photos of bands. At the time I wanted to be up there, playing the music myself, not on the sidelines. In any case there seemed to be very few people around me with a camera, still fewer taking photos at gigs. If I had been capturing my experiences on film, I would now have a prime collection, both from the Dublin scene and from the equally vibrant music scene in Manchester, my home city. But there’s no point in going on about regrets. My early U2 Dublin music memories will stay with me always, and I can at least share them here.

If anyone can provide the names of people or venues mentioned in this account, or have any corrections, comments or additions, please contact.

Thanks to Matt McGee for spurring me on to write this account.

Thanks to Kieran for lending me that camera.

Thanks to Bill Graham for providing me with some early encouragement and for helping to discover U2.

Responses to “Early U2 Dublin memories”

Aidan loved your site, brings back lot of memories, Dublin in the late 70s music-wise was a great place to be.

Me and my friends saw this guy walk into Advance records one HOT
summer day in a long trench coat once inside he took it off to reveal a leopoard skin jump suit. We gave him a laugh and left, only to see him on the Late Late Show a couple of months later ..it was Bono .

Been to McGonagles more times than I can remember but I do recall that
awful white wine Black Tower, that was where the Damned played.

Saw DC Nien support the Ian Gillan band back in 78 at UCD and Sonny
Condell supported them, best concert I ever went to, show started at midnight,
and all for the princely sum of 1 pound 50 p .

I was a neighbour of Sean Hines who played bass in the Strougers. Good
local band from the Navan Rd

Great site will refer my friends

Dotsy

Thanks very much for your great comments – they brought that time back to me as well. I was there when the Damned played McGonagles! I think I was probably drinking flat Harp lager! Very best wishes!

Sean Kenny

October 14th, 2006 01:26 e

Brilliant account Aidan. I must have been your shadow, having been at all the concerts you were at. Wish it could all happen again mate!

Dave

December 18th, 2006 17:21 e

http://punkmodpop.free.fr/vipers_pic.htm

for the rest of the vipers story

Bernard Walsh

February 16th, 2007 22:01

Hi Aidan, just stumbled onto your site, I am one of those northside blokes your played with in The Sinners the other was Tony Pugh.

Wow it’s great to hear from you, and as it turns out, Bernard has a site with his stills photography from various films, and the RTE soap opera Bachelor’s Walk. Go to www.albumen.net

europhile

March 20th, 2007 18:50

I think the venue on Wolfe Tone Street where you went to see The Buzzcocks might have been called Dingwall’s. It was pretty short-lived anyway.

bitzy

April 8th, 2007 19:18

Hi Aidan I was also at a lot of those gigs and my band the Strougers (Crap name, did ramones covers etc) played a half dozen gigs in the Dandelion Market way back then. In fact I reckon we supported the Sinners there too. I also think the Sinners played in The Ivy Rooms on Parnell st on the North side of Dublin. The Damned played in McGonagles on South Anne Street, The Jam played the Top Hat Dun Laoghaire, The Prunes played the Dandelion. Unfortunately i dont share your enthusiasm for U2 who we had the misfortune of playing with in the Dandelion in 1978. I know Tony Pugh your guitar player, last time I met him he was a DJ (a few years ago). The Count Bishops supported the Clash in Trinity and just like the GPO everybody was there ha ha. They were great days man.

The Strougers? My memory must be failing me but I don’t remember that name. I remember the Dandelion Market. The Ivy Rooms on Parnell Street? Any connection with the rehearsal room on Parnell Square? Yes, I remember the Damed at McGonagles, with the white faced lead singer prancing around from stage to speakers. Also remember the trek out to Dun Laoghaire to see The Jam – I would never have remembered the name the Top Hat. I saw the Prunes at McGonagles and also at a venue on Stephens Green, not Dandelion Market, but a big hall on the south side. Well, I wasn’t very enthusiastic about U2 in the early days! The Count Bishops – another name that has almost disappeared from my memory. I remember the Clash in the Exam Hall quite clearly. I was standing quite near the band at the top. I was standing very close to Joe Strummer. Damn, if only I’d been taking photos then. I just wish I could turn back the clock!
Thanks very much for contacting.

bitzy

April 9th, 2007 14:53

Hi again just to let you know that there is a guy in Dublin that is putting a book together about the punk/new wave scene in Dublin plus other cultural/musical phenomenon eg, skins/mods/hippies etc. from way back when. He has spoken with me and other geezers who were active on the punk scene in Dublin in the 70’s. He is still looking for photos/anecdotes/stories etc. His name is Gary and his e-mail address is cru71@hotmail.com
PS. There is a website that features most of the irish punk/new wave bands from that era plus the 80’s. The strougers and the sinners are included. Its a step down memory lane
The website is www.angelfire.com/indie/irish/_punk_wave/index.html

Thanks very much, I will contact Gary. It was a great time, but I’m not sure if I would like to relive all of it.

europhile

May 8th, 2007 09:03

If I recall correctly, The Clash also did a matinee before the evening gig in the Exam Hall.
ALSO, the Ivy Rooms went on to become Fibber’s. It was a real hellhole.

Peter Breen

Nov 1 2007 19.00

I well remember those days my brother John Breen had rehearsal rooms on Mountjoy Square a full Georgian house remodelled and soundproofed with sand from Dollymount in the sash windows. He also played with a band called the School Kids with Dave Lee on vocals. Lots of bands rehearsed there Rocky de Valera , the Atrix, U2 and so many more that I cannot remember. Heady days to be sure

Keep on rockin

Peter Breen

Yes, I remember your brother very well indeed, and that fateful conversation about U2’s chances of getting a record deal – a very switched on guy

Hi Aidan
You asked for some info for names or places you couldn’t remember.
The Venue you saw the Jam at was .. The Top Hat Dun Laoghaire .. We
played support to both .. The Jam and The Clash at The Top Hat.

Take Care

Charlie Hallinan .. Ex Drummer Berlin

Great to hear from you. It was a long trek out to Dun Laoghaire, but worth it!

Great site. I was one of them punk rockers in that time. The Dando market, hangin outside Advance Records South William Street. That band the Strougers I remember the lead singer wore a pair of teddy boy shoes. There was the band Sidefx. Rocky was the bass player. The band the Threat the lead singer was Morris. The Damned played McGonagles as the Doomed. Drinking cider in the green. Way back in the day in a simplier time..r.i.p Lenny who we lost at Slane Castle 1984.
Gradlaw

I still have no recollection at all of the Strougers! – I remember the Damned at McGonagles quite clearly, the white-faced lead singer prancing up onto the speakers and all around the venue. I don’t think there were many people at that concert. I also saw the Virgin Prunes at McGonagles and recorded the entire set on my bulky portable tape recorder and radio. I still have that recording somewhere, along with the ones of U2.

Aidan,

I enjoyed your piece on Dublin music scene in the late 70s, brought back some great memories. McGonagles, Toners, Bruxelles, the Buttery and a bunch of other places I have long forgotten. If you haven’t been to this website there is loads of band info from that time http://www.irishrock.org/index.html

Here’s what I remember:

The Dandelion Market, Sir Walter Raleighs for rainbow skins, The Alchemists Head to get copies of the Freak brothers magazines, seeing U2 and The Atrix (I think I still have a copy of “Treasure on the Wasteland”) for 50p in the underground parking lot off Stephens Green, Hijax wine bar on O’Connell street to score hash, Saturday nights in Bruxelles followed by McGonagles and walking home because both of the cities Taxis were nowhere to be found. Having “One from the wood” in the snug at Kehoes, Reggae at the TV Club on Fridays, sneaking in a take out 6 pack to The Rocky Horror Picture Show at the Stella (Midnight Express and Taxi driver in Cork), Abracababra at 2.00 in the morning, the Rock in Stephens Green, outrage when a pint went over a quid, The diary of Adrian Mole on the radio, the Letters of Henry Root, Mulligans for the best pints, John Cooper Clarke, Micro Disney, Firstenberg and Colt 45, 24 hour shop in Rathgar, Johnny Foxes during mushroom season, rat fink Haughey, the 5000 quid giveaway on Radio Nova, Nova Park, “Ta said ag teacht” Arran island Guinness ad, Wine coolers, Snake bites, Durban poison (yeah!), nightclubs on Lesion St., The Pink Bicycle…
Don’t remember much else but a good time was had by all!

The attached was a great gig.

Cheers for stirring the memories

Dermot Houston

That’s fantastic, thanks – I remember quite a few but not all of what you mentioned! Funny how each of us has our own ‘version’ of how things were. Many thanks for contacting and sending the poster!